Well, that depends on the kind of story you are writing. The length of your narrative will dictate the quantity of character information you’ll have to make them come to life. For simplicity sake, I have broken my character sheet down to what I use for every kind of writing. Your character sheets may vary.

Theme enriches and inspires the reader when saying something profound about the human condition. Theme is the abstract notion behind the story forming the narrative’s heart and soul that the exposition, dialogue, and action reflect every opportunity they get.

Referring to the theme in recurring pictures, props, colors, settings, and situations may also be utilized in the demonstration of this theme. The color red in the film American Beauty provides an important tip-off in presenting the principal theme of the story as it plays to the viewer’s feelings every time it is shown. Compelling stuff, we think – what are your thoughts? You may already have thought that see here is a vast field with much to find out. Yes, it is correct that so many find this and other similar subjects to be of fantastic value.

You never really know about any one element because there are a lot of diverse situations. Do you know exactly the kind of info that will help? If not, then you should discover more about this.

The concluding talk will solidify what we have revealed to you up to this point.

What I’d love to perform in this short essay is identify two very different kinds of fiction and also briefly discuss an instance of each. These are not genres but, rather, forms – general classifications if you will.

Writing fiction is a bit like baking a cake. You will need the right ingredients in the ideal quantities, or it’ll turn out awful. For fiction, you will need the ideal blend of storyline, action, description and character growth to bring your story to life for your own reader.

Getting back to fiction the creativity of the writer also must be based on his direct or indirect encounters. In this sense fiction relies on reality and to that extent it represents just another dimension of truth. Here of course we run into the philosophical problem of the precise significance of reality. There are two diametrically opposite viewpoints – materialistic and spiritualistic. According to the former only things which can be perceived through our perceptions are real, everything else is unreal. The latter maintains that there’s one ultimate fact from which we perceive comes out and what that is perceived is simply an illusion. We consider a statement by Einstein: “Reality is merely an illusion, albeit a persistent one.” He was clearly referring to the fact of this phenomenal world. The word illusion can have different connotations but generally it means perceiving something rather different from what it really is. Therefore the presence of the thing is a necessity for illusion, it is not a mental construction. Imagination is purely a mental phenomenon and has nothing to do with whatever really existing. Thus the relationship between fiction and reality is entirely different from that between illusion and reality. You can always check different fiction stories for reference.

As an example, if we choose Charles ckens’s “A Tale of Two Cities” the main identifying motif may take the form of the question: Can you sacrifice his life for the one he loves? In the exact same story, many smaller topics are interwoven as well, like death and life, resurrection, revolution, justice and revenge, war and peace, and power or abuse of power, because many works of fiction carry several encouraging topics that wrap around the primary theme.

“I believed we were going to learn about good and evil, human nature, how to be great. You know. What God is like. You understand. How to live. But we are learning about P and Q arrows or S. What is that, haw? I work all day, and sail for two weeks, and what do I get? P and Q arrows R.”

A popular way to demonstrate a motif is through the actions of the protagonist and the antagonist, together with the antagonist showing the dark side of the motif along with the protagonist the optimistic side.

Folklore is the first genre in fiction which we’re exploring. Folklore are songs, myths, stories, handed down by word of mouth. Folklore is normally the proverbs of one individual and during generations it becomes “folk”. Folklore is a type of literature that’s widely held but constantly fake or false and based on unsubstantiated beliefs. Horror is the second genres of fiction that will be researched, and it could possibly be among the most monetized through history. Meaning, it has always been among the very popular and several entrepreneurs, publishers, and filmmakers have taken advantage of its popularity. Horror can be defined as an overwhelming and painful feeling caused by literature or movies that’s frightfully shocking, frightening, and revolting. This genre of fiction has events which take place that either evoke a feeling of dread in both the characters as well as the reader. Historical Fiction is a story with fictional characters and events in an historical setting.

Yes, I have a personality that’s a writer, and that I have a character that’s a photographer. My stories are character driven by feelings that I know. I’m NOT saying plot and settings are not important. What I’m saying is to use your strengths. You don’t have to be a cop to resolve a puzzle. You do not have to fly to write about superheroes. What you must do is write about what you understand to grab people’s interest. Do I think a man can fly? No. Can I believe Lois enjoys Clark? I have no doubt.

In non-fiction, the writer is advised to hone in to his theme and begin referring to it right at the first paragraph. In fiction, on the other hand, the motif generally flowers through the writing as the narrative progresses.